BCOA Judges' Information

Silhouette: standing and moving

In silhouette a great dog should look balanced standing and moving. Importantly, the dog should show an outline that is correct for the breed both on the move and on the stack.

There are several moving parts that make up a silhouette. The topline on the trot should be flexible and somewhat elastic. A rigid topline is inefficient and would hinder the ability of the hound to have the double suspension gallop, a hallmark of this breed. When viewed from the side the topline should never sag or appear weak. It is perfectly acceptable to see a topline that can flatten out - but should never dip below the shoulders or hips when viewed on the move. It is important to see the entire topline from head to tail as a fluid set of curves. Angles set at extremes or right angles are incorrect when observing the Borzoi on the trot. Different hounds have different head carriages. An Afghan's head may be held higher than a Borzoi's head which should be level or slightly above level on the move. With a neck that is strong and supple, the head on a correct-moving Borzoi should be held high enough to be indicative of a gazehound. Picture a hound that on a full out run can reach down and capture a hare or take down a coyote by the hind quarters. A ewe neck lacks the proper structure needed of this powerful hound.

Borzoi 1 stacked Borzoi 1 moving

The legs at a trot should form an upside down "W" with equal extension front and rear. The legs should move in an arc matching front and rear with hocks that flex extending well out behind. A common fault in the breed is a front that lifts and a rear without drive resulting in the whole dog at an odd angle to the ground. Shoulders and hips should be parallel on the move, never higher or lower, but balanced in motion. Years ago, at a Specialty in Detroit, Dr. Gerda Kennedy judging a large entry of Specials asked each dog to step out of line and walk in a small circle. On the stack most looked quite correct, but stepping out of a stack some of the profiles changed shape. There is an art of stacking a dog, and many handlers can take a bad dog and manipulate a perfect stack. Left on the dog's own merit, when walked, a whole new set of faults can come to light.

Borzoi 2 stacked Borzoi 2 moving

While ring stewarding for the late Chuck Herendeen, he insisted I stand on the opposite side of the gate entrance to check the numbers as the dogs entered the ring. I asked why, and he replied that he wanted to see each dog walking unobstructed. Often an entire class could be evaluated as they entered the ring.

Borzoi 3 stacked Borzoi 3 moving

A great-moving Borzoi should look as elegant on the move as standing, neither low in the shoulders nor high in the hips, with good reach in front and a strong drive off the rear. In Richard Beauchamp's book Solving The Mysteries of Breed Type, one of the five elements of breed type is silhouette. Borzoi breed type is a graceful set of curves in silhouette both standing and moving showing balance of power, elegance and sound running gear.

By Jon Steele

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STANDARD JUDGES' REFERENCE GUIDE HISTORY OF THE BREED SOLVING THE BORZOI PUZZLE ESSENCE OF THE BORZOI SILHOUETTE TOPLINE MOVEMENT SHOULDER EYES COLOR HEADS COMMENTS FROM THE BORZOI FANCY MENTOR LIST EYES - BCOA LETTER